Thursday, April 30, 2009

Printable Ballerina Template

Henning Mankell: The Chinese

had an outstanding debt to Mankell, because I had read great reviews of it and on the recommendation of some of the comments you leave kindly in this space. So I decided to start my raid this novel, the last published. It ignores Mankell his most endearing, Detective Kurt Wallander, and gives prominence to a judge, Birgitta Roslin, who will be responsible for clearing the murder mystery with which the story begins. A story that deals with historic vengeance, and in which China, with all the political and economic changes that are suffering today, becomes the scene of most of the novel.

The plot begins with a multiple murder that leaves completely horrified police: one morning almost the entire population of a village lost in forest idyllic Swedish Hesjövallen appears brutally killed with excessive violence, including pets. The only survivors are a middle-aged couple and an elderly woman suffering from senile dementia. The police attributed the incident to a disturbed mind, a crazy psychopath who would have acted murderers led by impulses beyond logic. However, the judge Birgitta Roslin recognized among some of the victims to his mother's adoptive parents, and that will take you to approach the crime scene and begin a parallel investigation to the police where you will discover that hides behind the assassination a complicated plot with ramifications that reach far beyond the borders of Sweden.

This is, broadly speaking, the plot of the novel. The pace is swift, and the characters are solid and well built. It is a novel that captures the reader, although some sections may be somewhat tedious, especially when the author refers to the changes occurring in China in recent years and the numerous references to Mao's communist revolution. And is that China is central in this novel. Also interesting is the section on the forced labor of Chinese railway construction in the U.S. during the nineteenth century, which appears in the novel through a long flashback that helps the reader to clear some of the mysteries of multiple murder Swedish lands.

Menkell is very concerned in this novel about the consequences of population growth and increasing poverty caused by the great economic changes that China is suffering from decades ago. The author echoes the conflict in the country between two positions are completely different, that of economic openness and subsequent immersion in the capitalist system and the conservation of communist principles with the theoretical objective of greater social equality. Mankell poses potential dangers this may bring, and plays in his novel with the possibility of a possible increase in China's presence in Africa through colonization some less populated areas to output a very large poor population which otherwise could cause serious disruptions to the Communist Party in power. According to the author, who lives halfway between Sweden and Mozambique, this possibility is more than likely, because he has found a palpable increase of China's presence on this continent in recent years. However, in the colophon at the back of the novel, Mankell makes it clear that his intention at all times has been none other than writing a work of fiction. There you have it.

Birgitta's character, a former communist activist in his youth, Mankell serves to reflect on changes occurred on the European left since the sixties until today. It warns an implicit criticism of gentrification and the resignation to the ideals of equality experienced by many of these young "revolutionaries" of the sixties, but at the same time as something that actually appears somewhat inevitable. But he also reflects on the radical Mankell those communist parties influenced by Maoist doctrine had to behave more like a cult than of a political party itself. It is a very interesting debate that arises from this point of view.

As you can see, the novel hides much more than its plot seems to herald the beginning. Is a worthwhile read, although I say that I have found that brightness at the time of writing that has been so prominent in the "from my point of view" invidious comparisons with Stieg Larsson, author of Men Who Hate women. Maybe I should have started with one of the Wallander novels, the detective who stands in awe so regular readers of Mankell. However, the reading of Chinese me an appetite, and return to the Swedish writer to see first hand the character who has given so much fame in the world of the novel.

PS: I recently also completed the second book of the trilogy Stieg Larsson, The Girl Who Played with Fire a gasoline can, and I've enjoyed as much or more than the first. I still think Larsson's works are well above the usual best sellers, so from here I can not recommend it. Now to wait until after Millennium, which will soon be published in our country.

Friday, April 17, 2009

Seagram's 100 Pipers Viski Fiyatı

Haruki Murakami: Tokyo Blues

Tokyo Blues is the third book I read one of my authors fetish, Murakami. And although I hate to say it, is that I disliked so far. You do not have the magic of Kafka on the shore , or South of the border, west of the sun . It is much darker, more frightening, because the characters are lost and can not find their way and leave behind the ghosts that haunt them. However, despite the above, the reader gets caught in that atmosphere so typical that only Murakami is able to weave. There are paragraphs that hypnotize the senses, as if we entered into a Japanese room, we sat relaxed on the mat, and we were to meditate. The author takes us to an urban landscape, the city of Tokyo, which, however, there is no room for stress or rush. Life flows and the characters swim in it, in a quiet environment that surrounds us page after page.

The story is told as a long flashback. Watanabe, thirty-seven, lands in a German airport before leaving the plane heard through the speakers Norwegian Wood, a Beatles song that evokes his student days in the sixties. The chain of memories begins with a hypnotic ride through a meadow with the beautiful Naoko, the girlfriend of his best friend, Kizuki, which becomes the first major love in the life of Watanabe. This will face a severe blow that will make you suddenly enter into adulthood, when Kizuki decides to take his life with only 17. This will mark a before and after in the life of Watanabe, a young moody and solitary always drag the memory of what happened to Kizuki:

"Until then I had intended to die as an independent existence, separate full of life." One day death will take your hand. But until the day we catch it we will be free. " I thought so. It seemed a logical reasoning. Life is on this edge, death in the other. We are here, not here. From the night he died Kizuki, I was unable to conceive of death (and life) in a manner so simple. Death is not opposed to life. The death had been Implicit in my being from the beginning. And this was a fact, though I tried, I could not forget. That night in May, when death was Kizuki at seventeen years, was a part of me. "

Meanwhile the fragile Naoko, a character beloved by sadness and sweetness that carries with Murakami portrays it, is even more lost than Watanabe, and mental ill health makes it extremely vulnerable. Watanabe, love it, fight to protect and remove the pit in which he seems to have been submerged. The relationship between the two is, in my opinion, the most beautiful part of the novel.

Murakami's portrait ago youth has little to do with the image that the literature we often give them. Watanabe behaves almost as an adult in many ways, but sometimes seems lost, it moves aimlessly, not knowing where his steps will be taken. Sex is a very important presence throughout the novel, Murakami serves to contrast the behavior of Watanabe, who does not renounce the fleeting relationships but can not find in them the comfort they need, and your friend Nawasaga a young promiscuous sex lives as a philosophy of life, feeling as necessary to keep alive his bulging ego. On the other hand the suffering appears as one of the forced learning that we all have to face some time in their life. The importance of pain as an obstacle to be overcome to move forward appears very evident in reflections like this: "Knowing the truth does not alleviate the sadness we feel at losing a loved one. No truth, no sincerity neither the strength nor the baby are able to heal the sadness. The only thing you can do is go through that pain hoping to learn something from him, but all one has learned not serve for anything the next time you visit the sadness suddenly. "

is curious that this novel was published in Spain in 2005 after Murakami was already an established writer after the publication of Bird Chronicle winds the world, Sputnik , my love and South of the Border, West of the Sun . However in reality was the first of these he wrote, in 1987, and it was precisely the overwhelming success of this novel that made the writer to leave his country, first to Europe and then America, where he currently resides.

again abundant in the novel are references to a wide variety of songs from the 60's, both jazz and pop culture. In fact, one of them, Norwegian Wood (Norwegian Wood), is the full title of the novel and, as I mentioned above, which leads the river of memories of the young Watanabe. I leave here a youtube video where you can listen and read the letter. What better way to end a review of Murakami?

More reviews of works by Haruki Murakami:
- South of the Border, West of the Sun
- Kafka on the shore